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Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
In 2002, Kalavrezou curated an exhibit at the Arthur M. Sackler Museum at Harvard called "Byzantine Women and their World," Unlike previous exhibitions focused on the high art of the Byzantine court and church, this exhibit examine the daily lives of "unexceptional" Byzantine women, challenging the notion that their existence was powerless. [2]
The mosaics in the Dome of the Rock in Jerusalem show the influence of Byzantine designs. Some Western art historians have dismissed or overlooked Byzantine art in general. For example, the deeply influential painter and historian Giorgio Vasari defined the Renaissance as a rejection of "that clumsy Greek style" ("quella greca goffa maniera"). [20]
The Art of the Byzantine Empire 312-1453. Toronto, Buffalo, London: University of Toronto Press, in association with the Medieval Academy of America. ISBN 0-8020-6627-5. Rodley, Lyn (1994). Byzantine Art and Architecture: An Introduction. Cambridge: Cambridge University Press. ISBN 0-521-35724-1. Runciman, Steven. The Last Byzantine Renaissance.
Download as PDF; Printable version; ... The Byzantine Institute of America is an organization founded for the preservation of Byzantine art and architecture.
Thomas Whittemore (January 2, 1871 – June 8, 1950) was an American scholar and archaeologist who founded the Byzantine Institute of America. His close personal relationship with Mustafa Kemal Atatürk , founder and the first president of the Turkish Republic , enabled him to gain permission from the Turkish government to start the ...
Most large-scale works of Byzantine art during this period were commissioned by the Eastern Orthodox Church or wealthy patrons of the elite upper classes. [3] Mosaics were a significant development during the sixth century and were commonly used to adorn the interior floors and walls of church buildings as a display of religious fervor and ...
Byzantine art has been compared to contemporary abstraction, in its flatness and highly stylised depictions of figures and landscape. Some periods of Byzantine art, especially the so-called Macedonian art of around the 10th century, are more flexible in approach.