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(Created by Kip Moffitt of SUPERBUENO). Ingredients. 1 oz Grilled Pineapple Skin Infused Espolon Blanco*.75 oz Cinzano 1757 Rosso Vermouth.5 oz Campari.5 oz Ancho Reyes Barrica
8. In a mixing glass: a few drops of Campari Bitter - ⅔ Gordon Gin - ⅓ white Grassotti Vermouth - orange peel; shake well and serve in a n. 8 [number 8] cocktail glass. An equal-parts cocktail called "Negroni" is attested in the British text UKBG (1953), [9] where the recipe is given as: [10] Negroni 1/3 Dry Gin. 1/3 Sweet Vermouth. 1/3 ...
The boulevardier cocktail is an alcoholic drink composed of whiskey, sweet vermouth, and Campari. [1] It originated as an obscure cocktail in late 1920s Paris, and was largely forgotten for 80 years, before being rediscovered in the late 2000s as part of the craft cocktail movement, rapidly rising in popularity in the 2010s as a variant of the negroni, and becoming an IBA official cocktail in ...
Possibly the earliest published example is the diferencias for vihuela by Luis de Narváez (1538). [8] A favorite form of variations in Renaissance music was divisions, a type in which the basic rhythmic beat is successively divided into smaller and smaller values. The basic principle of beginning with simple variations and moving on to more ...
The days of the Dirty Shirley are over (well, at least until next summer). Cocktail lovers are currently obsessed with something far more refined and fancy-sounding that might be tricky to order ...
A quiet variation looking at the contrast between staccato and legato. VI: A turbulent variation marked fortissimo as well as "sempre staccato e sforzato." The sforzatos are indicated in the music. VII and VIII: Are markedly quieter variations than Var. VI but musically are more difficult. IX: A variation with many slurs. X and XI
g: Mandolin / Guitar: 1808: 69 [2] 17: Sonata (Serenata) C: Guitar / Strings: guitar, viola and cello 1810 (before) 18: Polacca con variazioni: A: Violin / Orch. Polacca with variations 1813: 8: 19: Le Streghe (aka. Witches Dance) D: Violin / Orch. Variations on a theme from the ballet of Salvatore Viganò Il noce di Benevento , music by Franz ...
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]