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Johann Pachelbel's Canon in D major, written in the mid-Baroque period and revived from obscurity in the 1960s, has been credited with inspiring pop songs. Some pop songs borrow its chord progression, bass line, or melodic structure, a phenomenon attributed to the memorability and simplicity of the work.
Pachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major.
Fugue in C major (no. 10) 150: 269: 196: 131 Fugue in C major (no. 11) 151: 270: 197: 132 Fugue in C major (no. 12) 152: 273: 198: 133 Fugue in C minor 153: 274: 200: 134 Fugue in D major (no. 1) 153bis--- Fugue in D major (no. 2) 154: 276: 202: 141 Fugue in D minor (no. 1) 155*--- Fugue in D minor (no. 2) 155bis--- Fugue in D minor (no. 3) 156 ...
Piano Trio in D major (Sibelius) Piano Trio No. 38 (Haydn) Piano Trios, Op. 70 (Beethoven) Polonaise de Concert, Op. 4 (Wieniawski) Pomp and Circumstance Marches; Prelude and Fugue in D major, BWV 532; Prelude and Fugue in D major, BWV 874; Prelude in D major (Rachmaninoff) Prelude No. 5 (Villa-Lobos)
Johann Pachelbel [n 1] (also Bachelbel; baptised 11 September [O.S. 1 September] 1653 [n 2] – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak.
In the Baroque period, D major was regarded as "the key of glory"; [1] hence many trumpet concertos were in D major, such as those by Johann Friedrich Fasch, Gross, Molter (No. 2), Leopold Mozart, Telemann (No. 2), and Giuseppe Torelli. Many trumpet sonatas were in D major, too, such as those by Corelli, Petronio Franceschini, Purcell, and