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The poem was adapted as the lyrics in the song "Prayer" by Lizzie West. The last four lines of the poem were recited among others in Getting Over It with Bennett Foddy. The poem is read by Lisa (played by Kerry Godliman), the dying wife of lead character Tony (played by Ricky Gervais) in the final episode of the Netflix series After Life.
Remembering the fathers in heaven (or wherever you may believe they go after they pass) is important all the time—but especially on Father's Day! Some of the Father's Day quotes you'll read here ...
The speaker of the poem is the character Aedh, who appears in Yeats's work alongside two other archetypal characters of the poet's myth: Michael Robartes and Red Hanrahan. The three characters, according to Yeats, represent the "principles of the mind;" whereas Robartes is intellectually powerful and Hanrahan represents Romantic primitivism ...
Answering a reader's question about the poem in 1879, Longfellow himself summarized that the poem was "a transcript of my thoughts and feelings at the time I wrote, and of the conviction therein expressed, that Life is something more than an idle dream." [13] Richard Henry Stoddard referred to the theme of the poem as a "lesson of endurance". [14]
"The Vacant Chair" is a poem that was written following the death of John William Grout (July 25, 1843 – October 21, 1861). Grout was a soldier killed in the American Civil War during the Battle of Ball's Bluff. The poem, written by Henry S. Washburn was put to music by George Frederick Root and became a popular song of the post-Civil War era.
This collection comprises 85 poems, ranging in length from just a few lines ("Life Is Motion") to several hundred ("The Comedian as the Letter C") (see the footnotes [1] for the table of contents). Harmonium was reissued in 1931 with three poems omitted and fourteen new poems added.
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Gone From My Sight", also known as the "Parable of Immortality" and "What Is Dying" is a poem (or prose poem) presumably written by the Rev. Luther F. Beecher (1813–1903), cousin of Henry Ward Beecher and Harriet Beecher Stowe. At least three publications credit the poem to Luther Beecher in printings shortly after his death in 1904. [1]