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Channel messages Support for controller number 1, 7, 10, 11, 64, 100, 101, 121 and 123; support for channel pressure and pitch bend controllers. Other messages Respond to the data entry controller and the RPNs for fine and coarse tuning and pitch bend range, as well as all General MIDI Level 1 System Messages.
A MIDI message consists of a status byte, which indicates the type of the message, followed by up to two data bytes that contain the parameters. [37] MIDI messages can be channel messages sent on only one of the 16 channels and monitored only by devices on that channel, or system messages that all devices receive. Each receiving device ignores ...
MIDI includes System Exclusive messages that are extensions of the MIDI format implemented by MIDI manufacturers. Some of the extensions, the "Universal" ones, are a set of the same functions that different manufacturers can implement differently in detail. Some of them are Non Real Time, with no reliable delivery timing. Others are Real Time ...
General MIDI Level 2 or GM2 is a specification for synthesizers which ... up to 2 (Channel 10/11) ... Supported Universal System Exclusive (SysEx) messages ...
This takes the form of a special global system exclusive message: F0 7F 7F 01 01 hh mm ss ff F7. The manufacturer ID of 7F indicates a real-time universal message, the channel of 7F indicates it is a global broadcast. The following ID of 01 identifies this is a time code type message, and the second 01 indicates it is a full-time code message ...
MIDI beat clock defines the following real-time messages: clock (decimal 248, hex 0xF8) start (decimal 250, hex 0xFA) continue (decimal 251, hex 0xFB) stop (decimal 252, hex 0xFC) MIDI also specifies a System Common message called Song Position Pointer (SPP). SPP can be used in conjunction with the above real-time messages for complete sync.
When any cue is called by a user (typically a stage manager) and/or preprogrammed timeline in a show control software application, the show controller transmits one or more MSC messages from its 'MIDI Out' port. A typical MSC message sequence is: the user has just called a cue; the cue is for lighting device 3; the cue is number 45.8
Sensors built into a dance floor at the University of Texas at Austin convert dancers' movements into MIDI messages, [16] and David Rokeby's Very Nervous System art installation created music from the movements of passers-through. [17] Software applications exist which enable the use of iOS devices as gesture controllers. [18]