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In Belizean legend, the Sisimite is said to also feast on humans. Furthermore, in Belizean societies, the belief is: "If you are a man and you look at him in the eyes (and escaped), you will die within a month. If you are a woman and you look at him in the eyes (and escaped), your life will be prolonged."
Pages in category "Belizean folklore" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes. A. Anansi; C. Cadejo; H.
In Belizean folklore, we find the legends of La Llorona, [2] Cadejo, [3] the Tata Duende, [4] and X'tabai. [5] The idea of the mystical healing and Obeah is prominent in Belizean legend, and there is still talk of evil shaman practices like putting "Obeah" on certain houses. This is known to be done by burying a bottle with the 'evil' under a ...
Myrna Kaye Manzanares MBE (30 October 1946 – 21 December 2021) was a Belizean writer and activist, considered an ambassador of Belizean Creole culture. She worked to preserve this culture, particularly the Creole language, and advocated for racial justice both in Belize and among its diaspora.
Leo Bradley: Elastic Gold: A fisherman and his son attempt to outrun shady characters who want the floating rubber that represents a chance at a better life.; The Day of the Bridge: The Belize City Swing Bridge is the villain of this story about a youth whose chance for happiness is destroyed by a series of unfortunate circumstances.
The oldest surviving written account of Popol Vuh (ms c. 1701 by Francisco Ximénez, O.P.). Popol Vuh (also Popul Vuh or Pop Vuj) [1] [2] is a text recounting the mythology and history of the Kʼicheʼ people of Guatemala, one of the Maya peoples who also inhabit the Mexican states of Chiapas, Campeche, Yucatan and Quintana Roo, as well as areas of Belize, Honduras and El Salvador.
Lang Bobi Suzi is a legend from the Kriol folklore of Belize. According to the legend, Lang Bobi Suzi is a female monster who whips naughty children with her giant breasts if they refuse to do her bidding.
The Qʼeqchiʼ use agriculture as a way to commune with God the creator in a very physical and spiritual way. It was a way to feel like a co-creator when planting new life into the soil. All the parts of planting, cultivating, and harvesting are all rituals and worship in their religion.