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When playing music remotely, musicians must reduce or eliminate the issue of audio latency in order to play in time together. While standard web conferencing software is designed to facilitate remote audio and video communication, it has too much latency for live musical performance.
Ableton Live co-creator Robert Henke. Live was created by Gerhard Behles, Robert Henke and Bernd Roggendorf in the mid-1990s. [6] Behles and Henke met while studying programming at Technische Universität Berlin, and wrote software in the music programming language Max to perform techno as their band Monolake.
Ableton Live is a digital audio workstation developed by Ableton and is currently in its twelfth version. There are three primary editions of the software: Live 12 Standard (the core software for music performance and creation), Live 12 Suite (adds on Max for Live and an expansive selection of instruments, effects, and samples), Live 12 Intro (an introductory version of Live with track and ...
This is a list of software for creating, performing, learning, analyzing, researching, broadcasting and editing music. This article only includes software, not services. For streaming services such as iHeartRadio, Pandora, Prime Music, and Spotify, see Comparison of on-demand streaming music services.
MainStage works in a similar way and has a similar user interface to Logic Pro, although the focus is on live use [4] rather than features like recording and editing that are available in a DAW such as Logic. Instead of a timeline for instance, there is an editable "Workspace". [5]
A networked music performance or network musical performance is a real-time interaction over a computer network that enables musicians in different locations to perform as if they were in the same room. [1] These interactions can include performances, rehearsals, improvisation or jamming sessions, and situations for learning such as master ...
Music is scored with commercially available notation software. [39] In addition to the digital audio workstations and music notation software, which facilitate the creation of fixed media (material that does not change each time it is performed), software facilitating interactive or generative music continues to emerge.
The orchestra can be re-compiled at any time, or individual instruments can be compiled at any time, during a running performance. This enables true "live coding" in Csound performances. The Csound API has been rationalized and simplified. Csound can take advantage of any number of CPUs for concurrent processing during performance.