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Painting and drawing studies (life-drawing, sketching and anatomy) were part of the artist's education. Studies are used by artists to understand the problems involved in execution of the artists subjects and the disposition of the elements of the artist work, such as the human body depicted using light, color, form, perspective and composition ...
Classical art [Note 2] is the art developed in ancient Greece and Rome, whose scientific, material and aesthetic advances contributed to the history of art a style based on nature and the human being, where harmony and balance, the rationality of forms and volumes, and a sense of imitation ("mimesis") of nature prevailed, laying the foundations ...
An art model is a person who poses, often nude, for visual artists as part of the creative process, providing a reference for the human body in a work of art. As an occupation, modeling requires the often strenuous ' physical work ' of holding poses for the required length of time, the 'aesthetic work' of performing a variety of interesting ...
"Although nudity in art was publicly protested by Americans, Vanderlyn observed that they would pay to see pictures of which they disapproved." [8] The meaning of any image of the unclothed human body depends upon its being placed in a cultural context. In Western culture, the contexts generally recognized are art, pornography, and information ...
The drawing represents Leonardo's conception of ideal body proportions, originally derived from Vitruvius but influenced by his own measurements, the drawings of his contemporaries, and the De pictura treatise by Leon Battista Alberti. Leonardo produced the Vitruvian Man in Milan and the work was probably passed to his student Francesco Melzi ...
Body proportions is the study of artistic anatomy, which attempts to explore the relation of the elements of the human body to each other and to the whole. These ratios are used in depictions of the human figure and may become part of an artistic canon of body proportion within a culture.
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An Italian study published in 2008 analyzed the positions of the 50 soft-tissue landmarks of the faces of 324 white Northern Italian adolescent boys and girls to compare the features of a group of 93 "beautiful" individuals selected by a commercial casting agency with those of a reference group with normal dentofacial dimensions and proportions.