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The ad was eventually taken down and Subway Philippines released a statement, which was further criticized online as a non-apology apology as the company did not acknowledge the issue and merely "reiterated the B.M.T message". The statement was also eventually taken down and followed up with a new statement apologizing for the commercial, with ...
Based on Philippines government research, there is a noticeable rise of Internet use in the Philippines after it was first introduced on March 29, 1994. “They were connected to the internet via SprintLink”, [9] this changed the Philippines culturally and politically. Social media is a leading motive for Internet use in the Philippines, but ...
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8888, also known as the Citizens ' Complaint Hotline and the President's Hotline, is a 24/7 national public service hotline operated by the government of the Philippines.It was introduced on August 1, 2016, by President Rodrigo Duterte to allow the public to report poor government front-line service delivery and corrupt practices in all government agencies, government-owned and controlled ...
Profanity in either English or Filipino are routinely bleeped in free-to-air TV. Films released in the Philippines are given any of the five content ratings by the MTRCB: G (general patronage), PG (parental guidance), R-13 (restricted 13) R-16 (restricted 16), and R-18 (restricted 18). The MTRCB may also assign an X rating to a film, usually ...
While video fingerprinting systems must search a potentially large database of reference fingerprints, a watermark detection system only has to do the computation to detect the watermark. This computation can be significant and when multiple watermark keys must be tested, then watermarking can fail to scale to the volumes required by commercial ...
The Movie and Television Review and Classification Board (Filipino: Lupon sa Rebyu at Klasipikasyon ng Pelikula at Telebisyon; [1] abbreviated as MTRCB) is a Filipino government agency under the Office of the President of the Philippines that is responsible for the classification and review of television programs, motion pictures and home videos.
They are thus a form of permanent visual station identification, increasing brand recognition and asserting ownership of the video signal. The graphic identifies the source of programming, even if it has been time-shifted—that is, recorded to videotape, DVD, or a digital personal video recorder such as TiVo. Many of these technologies allow ...