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Marvel also announced that Kamala Khan's resurrection story would begin with the X-Men Hellfire Gala 2023 #1 one-shot that was released on July 26, 2023. [27] [28] A Marvel Comics caricature of Declan Shalvey who served as Ireland's ambassador appeared as one of the Hellfire Gala attendees. [29] [30]
The final phase was kicked off in the third annual Hellfire Gala (July 2023) which drastically altered the status quo of series; [2] [5] this event was written by Gerry Duggan, with art by Adam Kubert, Luciano Vecchio, Matteo Lolli, Russell Dauterman, Javier Pina, R.B. Silva, Joshua Cassara, Kris Anka, and Pepe Larraz. [6]
"Reign of X" is a 2020 relaunch of the X-Men line of comic books published by Marvel Comics. It is the sequel to the "Dawn of X" publishing initiative and second phase of the Krakoan Age, [1] which culminated in the limited series "Inferno" and was followed by a sequel relaunch named "Destiny of X".
The previous phase Reign of X concluded with X Lives of Wolverine and X Deaths of Wolverine (January – March 2022) which led into Destiny of X. [2] [3] [4]. This phase included the crossover event A.X.E.: Judgment Day (July – November 2022) which focused on humanity's discovery of the mutant resurrection protocols and the subsequent conflict between the Avengers, the X-Men and the Eternals.
Print/export Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide ... X-Men: Hellfire Gala 2023 #1 (July 2023) [70] [71]
During the "Fall of X" as a host of mutants, human dignitaries, and superheroes gather at the latest Hellfire Gala to witness the election of a new X-Men roster and enjoy a night of drinks, dancing, and haute couture, Nimrod dive bombs the party from orbit, killing most of the roster, and proceeds to target every Omega-level mutant with haste ...
After X-Men: Hellfire Gala 2023, during the Fall of X crossover, the majority of Krakoa's population (around 250,000 mutants) were exiled through Krakoan gates into a vast and seeming endless desert; in Immortal X-Men #16, this desert is revealed to be the White Hot Room.
Tony Thornley, reviewing Dark Web #1 for Comicon, wrote that the issue was "a mixed bag" with the "interpersonal drama of Spider-Man’s personal life" great but that the X-Men were "wooden". [45] Thornley called the issue's visuals "fantastic" – "Kubert's figures are incredibly expressive, and even the bad panels look interesting.