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Imaro was the first book in a proposed series of novels about the eponymous hero, set in the fantasy world of Nyumbani (a continent based on Africa). However, a lawsuit by the Edgar Rice Burroughs estate over a poorly chosen cover quote ( The Epic Novel of a Black Tarzan ) caused a one-month delay in shipping as the books had to be reprinted ...
E for Ecstasy is a book written by Nicholas Saunders and published in May 1993. The book describes in detail the psychoactive substance MDMA (ecstasy), the people that use it and the law concerning it, all enhanced through the lens of the author's personal experience. Subsequent revised versions were renamed Ecstasy and the Dance Culture (1995 ...
Charles Robert Saunders (July 12, 1946 [1] – May 2020) [2] was an African-American author and journalist, a pioneer of the "sword and soul" literary genre with his Imaro novels. [3] During his long career, he wrote novels, non-fiction, screenplays and radio plays .
In a The New Yorker Radio Hour podcast with David Remnick, Saunders described how a melancholic Lincoln the Mystic statue, sculpted by James Earle Fraser, propelled him through the novel. The statue is in front of his office at Syracuse University, near the Tolley Hall. [18] [19] Saunders has said that he was "scared to write this book".
Saunders, a journalist and broadcaster of over thirty years for ESPN and ABC, published Playing Hurt in 2017. [3] [4] The memoir is divided into four parts and spans Saunders' life from his time growing up in Canada to the final years of his life and deals with topics like Saunders' ongoing battle with depression, his numerous suicide attempts, his recovery in the wake of his on-set brain ...
George Saunders (born December 2, 1958) is an American writer of short stories, essays, novellas, children's books, and novels. His writing has appeared in The New Yorker , Harper's , McSweeney's , and GQ .
The CIA and the Cultural Cold War (U.S. title The Cultural Cold War: The CIA and the World of Arts and Letters) is a 1999 book by Frances Stonor Saunders. The book discusses the mid-20th century Central Intelligence Agency efforts to infiltrate and co-opt artistic movements using funds that were mostly channelled through the Congress for ...
The story grew out of a challenge from the illustrator Lane Smith, who suggested Saunders "write a story in which all the characters were abstract shapes". [2] Saunders wrote "Once there was a country that was too small for all its inhabitants to fit inside at once" and the story developed from that point. [2]