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Incognito was founded by Paul "Tubbs" Williams & Jean-Paul "Bluey" Maunick in 1979, as an offshoot from Light of the World. [2] Light of the World was a substantially sized group and following various changes to the lineup, the founding members Breeze Mckrieth, Kenny Wellington & David Baptiste – inspired by American funk bands such as ...
No Time Like The Future is an album by the British acid jazz band Incognito, released in 1999 on Talkin' Loud Records. [1] It was produced by band leader Jean-Paul "Bluey" Maunick. [1] The album peaked at No. 9 on the UK R&B Albums Chart and No. 4 on the US Billboard Top Contemporary Jazz Albums chart. [2] [3]
The discography of Incognito, a British music band. Albums. Studio albums. Year Album details Peak chart positions AUS [1] [2] AUT [3] GER [4] NLD [5] SWI [6] UK [7]
Jean-Paul Maunick (born 19 February 1957, Mauritius), known by his stage name Bluey is a British guitarist, bandleader, composer and record producer.He has led the British acid jazz band Incognito since its formation in 1979.
100° and Rising is an album by the British acid jazz band Incognito, produced by band leader Jean-Paul "Bluey" Maunick and released in 1995 on Talkin' Loud Records. [1] The album peaked at No. 11 on the UK Albums Chart and No. 2 on the UK R&B Albums Chart. [2]
Who Needs Love is an album by the British acid jazz band Incognito, released in 2003 on Dome Records. [1] The album peaked at No. 22 on the UK R&B Albums Chart and No. 7 on the US Billboard Top Contemporary Jazz Albums chart.
Tony Momrelle (born Anthony Momrelle on 28 April 1973) is a British R&B and jazz singer and is one of the current lead vocalists of the band Incognito. Before his stint in Incognito, Momrelle was already a solo recording artist who released two studio albums under his name. Also, he was once a member of gospel music group Seven.
Tribes, Vibes + Scribes is an album by the British acid jazz band Incognito, released in 1992 on Talkin' Loud Records. [1] It was produced by band leader Jean-Paul "Bluey" Maunick. [1] The album peaked at No. 5 on the US Billboard Top Contemporary Jazz Albums chart. [2]