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The Ancestral Puebloans, also known as the Anasazi and by the earlier term the Basketmaker-Pueblo culture, were an ancient Native American culture that spanned the present-day Four Corners region of the United States, comprising southeastern Utah, northeastern Arizona, northwestern New Mexico, and southwestern Colorado.
The Virgin Anasazi were the westernmost Ancestral Puebloan group in the American Southwest. They occupied the area in and around the Virgin River and Muddy Rivers, the western Colorado Plateau, the Moapa Valley and were bordered to the south by the Colorado River. [1] They occupied areas in present-day Nevada, Arizona, and Utah.
The clothing of men and women at several social levels of Ancient Egypt are depicted in this tomb mural from the 15th century BC. The preservation of fabric fibers and leathers allows for insights into the attire of ancient societies. The clothing used in the ancient world reflects the technologies that these peoples mastered. In many cultures ...
While formal men's hakama are made of striped fabric, women's formal hakama are either a solid colour or dyed with graduating hues. Hakama for young women are sometimes sparsely decorated with embroidered flowers such as cherry blossoms. Women typically wear hakama just below the bust line, while men wear them at the waist.
Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
1860s Fashion Plates of men, women, and children's fashion from The Metropolitan Museum of Art Libraries; 1850s and 1860s Fashion; 1860s Men's Fashions — c. 1860 Men's Fashion Photos with Annotations; Fashonik Updos for long hair Archived 2016-05-20 at the Wayback Machine; 1864 Wedding Dress — Metropolitan Museum of Art Costume Institute
Over time, bedgowns became the staple upper garment of British and American female working-class street wear. Women would also often wear a neck handkerchief or a more formal lace modesty piece, particularly on lower cut dresses, often for modesty reasons. [12] In surviving artwork, there are few women depicted wearing bedgowns without a ...
Monk's hair was long, and most clergy had beards, as did many lay men, especially later. Upper-class women mostly wore their hair up, again very often curled and elaborately shaped. If we are to judge by religious art, and the few depictions of other women outside the court, women probably kept their hair covered in public, especially when married.