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"Silent Night" (German: "Stille Nacht, heilige Nacht") is a popular Christmas carol, composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr in Oberndorf bei Salzburg, Austria. [1] It was declared an intangible cultural heritage by UNESCO in 2011. [ 2 ]
The hymn has been described as the quintessential lullaby carol compared with similar wording lullaby Christmas carols of "Silent Night" and "Away in a Manger" as hymnologists opine that the lyrics and melody both strongly suggest the rocking of a cradle. [5] [needs copy edit]
written to be sung simultaneously with "Silent Night" "O Come, All Ye Faithful" (Adeste Fideles) 17th century carol. English translation by Frederick Oakeley in 1841. "O Holy Night" words: Placide Cappeau de Rouquemaure, translated by John Sullivan Dwight, music: Adolphe Adam: 1847 "O Little Town of Bethlehem" words: Phillips Brooks: 1867
The last song, "The First Noël" has new lyrics written by Gibb. The instrumental tracks are by Kwesi Graves (Although credited as Michael Graves on Magnet) including pipe organ and string sections and sometimes they push envelope with percussion beats. His version of "Good King Wenceslas" is missing two verses. [2]
"7 O'Clock News/Silent Night" is a song by American music duo Simon & Garfunkel from their third studio album, Parsley, Sage, Rosemary and Thyme (1966). The track is a sound collage juxtaposing a rendition of the Christmas carol " Silent Night " with a simulated " 7 O'Clock News " bulletin consisting of actual events from the summer of 1966.
In 1850, Sears' lyrics were set to "Carol", a tune written for the poem the same year at his request, by Richard Storrs Willis. This pairing remains the most popular in the United States, while in Commonwealth countries , the lyrics are set to "Noel", a later adaptation by Arthur Sullivan from an English melody.
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The poem is one of Li's shi poems, structured as a single quatrain in five-character regulated verse with a simple AABA rhyme scheme (at least in its original Middle Chinese dialect as well as the majority of contemporary Chinese dialects). It is short and direct in accordance with the guidelines for shi poetry, and cannot be conceived as ...