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"Ballad of Sir Frankie Crisp (Let It Roll)" is a song by English rock musician George Harrison from his 1970 triple album All Things Must Pass. Harrison wrote the song as a tribute to Frank Crisp, a nineteenth-century lawyer and the original owner of Friar Park – the Victorian Gothic residence in Henley-on-Thames, Oxfordshire, that Harrison purchased in early 1970.
"Let It Roll (Let It Rock)" is a song written by Chuck Berry and recorded by American country music artist Mel McDaniel. [1] It was released in March 1985 as the second and final single from McDaniel's album Let It Roll. It peaked at both number 6 on the U.S. Billboard Hot Country Singles & Tracks chart and on the Canadian RPM Country Tracks chart.
Let It Roll (Little Feat album), or the title song, 1988; ... a 2001 song by Train from Drops of Jupiter "Let It Roll", a 2003 song by Hieroglyphics from Full Circle
A train song is a song referencing passenger or freight railroads, often using a syncopated beat resembling the sound of train wheels over train tracks.Trains have been a theme in both traditional and popular music since the first half of the 19th century and over the years have appeared in nearly all musical genres, including folk, blues, country, rock, jazz, world, classical and avant-garde.
"Let It Rock" is a song written and recorded by rock and roll pioneer Chuck Berry. Chess Records released it as single, which reached number 64 on the U.S. Billboard Hot 100 chart in February 1960. [4] Chess later added it to Berry's album Rockin' at the Hops (1960). [2] In 1963, Pye Records released it as a single in the UK, where it reached ...
Drops of Jupiter is the second studio album by American pop rock band Train, released on March 27, 2001.The album's title is derived from "Drops of Jupiter (Tell Me)", its lead single, which was a hit internationally and won the Grammy Award for Best Rock Song.
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"Train Kept A-Rollin'" (or "The Train Kept A-Rollin'") is a song first recorded by American jazz and rhythm and blues musician Tiny Bradshaw in 1951. Originally performed in the style of a jump blues, Bradshaw borrowed lyrics from an earlier song and set them to an upbeat shuffle arrangement that inspired other musicians to perform and record it.