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The Tragedy of Othello, the Moor of Venice, often shortened to Othello (/ ɒ ˈ θ ɛ l oʊ /), is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus, the play depicts the Moorish military commander Othello as he is manipulated by his ensign, Iago, into suspecting his wife Desdemona of infidelity.
[1] [2] Hasegawa was an enthusiast of the traditional game Go, and he developed a prototype of Othello using Go stones and milk-bottle tops. [1] The distinctive black and white discs were inspired by Go pieces. [1] He named this new game "Othello", a name inspired by the Shakespearean play. [1] [2] After graduating, Hasegawa worked for a ...
Carl Switzer (a.k.a. Alfalfa from 'The Little Rascals') played Freddie Othello. Switzer played the character who pushes the button that opens the gym floor to reveal the pool—but he is ...
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
David Harewood has defended the use of Blackface by white actors in productions of William Shakespeare’s Othello.. The actor, 58, spoke about his concerns regarding the impact of identity ...
Michael Cassio, or simply Cassio (/ ˈ k æ s i oʊ /), is a fictional character in William Shakespeare's Othello.The source of the character is the 1565 tale "Un Capitano Moro" by Cinthio; Cassio is unnamed in Cinthio but referred to as "the squadron leader".
Iago is the play's main antagonist, and Othello's standard-bearer. He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona . Iago hates Othello and devises a plan to destroy him by making him believe that Desdemona is having an affair with his lieutenant, Michael Cassio .
Most reviews were positive. John Griffin, London correspondent of the Herald Tribune, wrote that it was a "star vehicle for a star actor."Cecil Wilson praised the performances of Peter Finch and Gudrun Ure. T.C. Worsley of the New Statesman praised the play's tension, although was more ambiguous about Welles's performance. [9]