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Musicae Scientiae is a quarterly peer-reviewed academic journal covering the field of music psychology. The editor-in-chief is Jane Ginsborg (Royal Northern College of Music). It was established 1997 and is published by SAGE Publications on behalf of the European Society for the Cognitive Sciences of Music.
The study of background music focuses on the impact of music with non-musical tasks, including changes in behavior in the presence of different types, settings, or styles of music. [72] In laboratory settings, music can affect performance on cognitive tasks (memory, attention, and comprehension), both positively and
Music preferences could be used to make self-directed identity claims. Individuals might select styles of music that reinforce their self-views. For examples, individuals with a conservative self-view preferred conventional styles of music, while individuals with an athletic self view preferred vigorous music. [15]
Performer - movements that are part of a music performance or a performance with music: Sound-producing: musician or actor creating musical sound. Sound-accompanying: dance or other types of movements that are linked to music. Perceiver - movements that are an integral part of music listening: Directly connected: dance, air performance
Music Perception: An Interdisciplinary Journal is a peer-reviewed academic journal published by University of California Press five times a year. It was founded by Diana Deutsch. [1] According to the Journal Citation Reports, the journal has a 2018 impact factor of 1.152. [2]
Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...
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Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. [1]