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The vessel ideograms are not so clear as to make correlation with discovered artifacts easy. Using a drawing of the "Contents of the Tomb of the Tripod Hearth" at Zafer Papoura from Evans' Palace of Minos, [32] which depicts LM II bronze vessels, many in the forms of ceramic ones, Ventris and Chadwick [33] were able to make a few new correlations.
Animals, including an unusual variety of marine fauna, are often depicted; the "Marine Style" is a type of painted palace pottery from MM III and LM IA that paints sea creatures including octopus spreading all over the vessel, and probably originated from similar frescoed scenes; [13] sometimes these appear in other media. Scenes of hunting and ...
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Anatomy of a typical Mycenaean vessel. The anatomy of a vessel can be separated into three distinct parts: orifice, body and base. There are many different shapes depending on where the vessel was made, and when. The body is the area between the orifice (opening) and base (bottom). The maximum diameter of a vessel is usually at the middle of ...
A zun with taotie dating to the Shang dynasty A rare Xi zun in the shape of an ox Western Zhou goose-shaped bronze zun. National Museum of China. The zun or yi, used until the Northern Song (960–1126) is a type of Chinese ritual bronze or ceramic wine vessel with a round or square vase-like form, sometimes in the shape of an animal, [1] first appearing in the Shang dynasty.
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