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Barbara Brackman (born July 6, 1945) is a quilter, quilt historian and author. [1]Barbara has written numerous books on quilting during the Civil War including Facts & Fabrications: Unraveling the History of Quilts and Slavery, Barbara Brackman's Civil War Sampler, Barbara Brackman's Encyclopedia of Appliqué, America's Printed Fabrics 1770-1890, Civil War Women, Clues in the Calico, Emporia ...
In Stitched from the Soul (1990), Gladys-Marie Fry asserted that quilts were used to communicate safe houses and other information about the Underground Railroad, which was a network through the United States and into Canada of "conductors", meeting places, and safe houses for the passage of African Americans out of slavery.
Jane A. Blakeley was born in Shaftsbury, Vermont on April 8, 1817. She married on 29 October 1844, Walter Stickle and together they took in at least three local children. [2] [3] The couple lived in Shaftsbury throughout their marriage, and with Jane's brother, Erasatus Blakely, owned several farms and tracts of land.
After the American Civil War and emancipation, she and her husband became landowners by the 1880s, but lost their land due to financial problems. Only two of her quilts are known to have survived: Bible Quilt 1886 and Pictorial Quilt 1898. Her quilts are considered among the finest examples of nineteenth-century Southern quilting. [2]
Some quilts produced in the Civil War era were created using silk ribbons. Silk material such as these ribbons often suffer from what is referred to as "shattering," caused by metal salts that were applied to silk fabrics to create desired "rustles" in women's dresses, and were used as a weighting agent in these dresses. [1]
Quilt historians and scholars of pre-Civil War (1820–1860) America have disputed this legend. [187] There is no contemporary evidence of any sort of quilt code, and quilt historians such as Pat Cummings and Barbara Brackman have raised serious questions about the idea.
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The quilt as a whole is still under construction, although the entire quilt is now so large that it cannot be assembled in complete form in any one location. Beginning with the Whitney Museum of American Art's 1971 exhibit, Abstract Design in American Quilts, quilts have frequently appeared on museum and gallery walls. The exhibit displayed ...