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Tuning machines (with spiral metal worm gears) are mounted on the back of the headstock on the bass guitar neck. The standard design for the electric bass guitar has four strings, tuned E, A, D and G, in fourths such that the open highest string, G, is an eleventh (an octave and a fourth) below middle C, making the tuning of all four strings the same as that of the double bass (E 1 –A 1 –D ...
Some bass amps have a 15 or 20 dB pad which can be used to attenuate "hot" signals, such as basses with an internal preamplifier (depending on the model of amplifier, some brands may provide two inputs (high and low gain) instead of providing a "pad". This pad can be turned on using a button. Some bass amps have an even stronger pad, a 40 dB pad.
Loudness compensation, or simply loudness, is a setting found on some hi-fi equipment that increases the level of the high and low frequencies. [1] This is intended to be used while listening at low-volume levels, to compensate for the fact that as the loudness of audio decreases, the ear's lower sensitivity to extreme high and low frequencies ...
The Ampeg SVT is a bass guitar amplifier designed by Bill Hughes and Roger Cox for Ampeg and introduced in 1969. The SVT is a stand-alone amplifier or "head" as opposed to a "combo" unit comprising amp and speaker(s) in one cabinet, and was capable of 300 watts output at a time when most amplifiers could not exceed 100 watts output, making the SVT an important amp for bands playing music ...
Tone control is a type of equalization used to make specific pitches or frequencies in an audio signal softer or louder. It allows a listener to adjust the tone of the sound produced by an audio system to their liking, for example to compensate for inadequate bass response of loudspeakers or earphones, tonal qualities of the room, or hearing impairment.
Electric bass players often use compression effects, either effects units available in pedal, rackmount units, or built-in devices in bass amps, to even out the sound levels of their basslines. Gain pumping , where a regular amplitude peak (such as a kick drum) causes the rest of the mix to change in volume due to the compressor, is generally ...
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Both the Bass/Treble EQ and Effects (FX) are global settings meaning they affect the sound of both channel 1 and channel 2. There are two stages of amplification: the first stage is done by solid-state op amps and the DSP, [citation needed] which also provide the desired voicing of the amps. It is then fed into the first triode of the 12AX7 ...