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Some bass amps have a 15 or 20 dB pad which can be used to attenuate "hot" signals, such as basses with an internal preamplifier (depending on the model of amplifier, some brands may provide two inputs (high and low gain) instead of providing a "pad". This pad can be turned on using a button. Some bass amps have an even stronger pad, a 40 dB pad.
The Ampeg SVT is a bass guitar amplifier designed by Bill Hughes and Roger Cox for Ampeg and introduced in 1969. The SVT is a stand-alone amplifier or "head" as opposed to a "combo" unit comprising amp and speaker(s) in one cabinet, and was capable of 300 watts output at a time when most amplifiers could not exceed 100 watts output, making the SVT an important amp for bands playing music ...
The bass control may be used, for instance, to increase the drum and bass parts at a dance party, or to reduce annoying bass sounds when listening to a person speaking. The treble control might be used to give the percussion a sharper or more "brilliant" sound, or can be used to cut such high frequencies when they have been overemphasized in ...
It is common to use both a DI signal and a microphone in front of the speaker cabinet or combo amp, in both live sound and recording settings. One method is to connect a bass guitar amplifier's speaker level output (via a pad, to attenuate the signal) to a DI and then run it to one channel of the mixing console, and run a miked guitar speaker ...
Fender Silverface Bassman amp AB165 amplifier, with a 2×15" speaker cabinet. The Fender Bassman is a series of bass amplifiers introduced by Fender during 1952. [citation needed] Initially intended to amplify bass guitars, musicians used the 5B6 Bassman to amplify other instruments, including electric guitars, harmonicas, and pedal steel guitars.
This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.
Both the Bass/Treble EQ and Effects (FX) are global settings meaning they affect the sound of both channel 1 and channel 2. There are two stages of amplification: the first stage is done by solid-state op amps and the DSP, [citation needed] which also provide the desired voicing of the amps. It is then fed into the first triode of the 12AX7 ...
1110 Combo, a combination amplifier/speaker unit comprising a GP11 pre-amplifier, V5 mosfet amplifier and 4 x 10” bass cabinet. 1048H Successor to the world's first dedicated 4 x 10” bass cabinet. BLX-80 a compact 80 watt bass combo with an innovative back-of-cabinet mounted 10" speaker and a full-featured GP7 pre-amp section.