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Kintsugi (Japanese: 金継ぎ, lit. 'golden joinery'), also known as kintsukuroi (金繕い, "golden repair"), [1] is the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold, silver, or platinum. The method is similar to the maki-e technique.
The first world's fair to exhibit Japanese art works in its Fine Arts section was the World's Columbian Exposition and among them was this garniture with a central incense burner. [3] [4] It had been inspected by the emperor who approved it for the exhibition. [5] The three vases are decorated with enamel and silver wire on a copper surface. [6]
The works received positive press reviews and shops in European capitals began to cater for a new demand for Japanese decorative art. [7] The Khalili Collection has been used in research to study how the late 19th and early 20th century availability of Japanese art in Europe influenced European art, especially Vincent van Gogh and the ...
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Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
Kakiemon (Japanese: 柿右衛門様式, Hepburn: Kakiemon yōshiki) is a style of Japanese porcelain, with overglaze decoration called "enameled" ceramics. It was originally produced at the kilns around Arita, in Japan's Hizen province (today, Saga Prefecture) from the Edo period's mid-17th century onwards. [1]
The Museum of Oriental Ceramics, Osaka (大阪市立東洋陶磁美術館) is a Japanese art museum and regarded as one of the best ceramic-collections in the world ...
The term Tianqi porcelain is mostly used of these types for the Japanese market, from the Tianqi Emperor (r. 1620–1627). The transitional ware of the early Kangxi decades witnessed a move away from designs and aesthetic standards of the painter Dong Qichang to newer tastes typified by the artist Shen Shitong and his use of western perspective ...