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The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
Features of the Glendonwyn Collection include multiple Benin and Igbo-Ukwu bronze sculptures, The Benin Massacre bronze sculpture (a magnificent representation of the massacre of the Phillips expedition), Oba the Warrior (a representation of an Oba, which appears in the front page of the first book of the collection), multiple 6th century BC ...
In her review of the catalogue in African Arts, Diane Pelrine, art historian and curator at Indiana University in Bloomington, USA, [50] described the book as an important addition to the relevant literature and highlighted the illustrations as a significant addition to previously rarely published Tanzanian art objects. On the other hand, the ...
Whether you have a story idea, article feedback or simply want to share a personal story about an animal encounter or a beloved pet, visit our contact page to get in touch. Enjoy this week’s top ...
Permian bronze casts – Permic and Western Siberian animal style cult cast figurines – were the predominant form of Finno-Ugric toreutics of the 3rd–12th centuries CE. It was spread throughout a large area of forests of the north-eastern Urals and western Siberia from the basins of the Kama and Vyatka to the Ob.
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The website of The Western Front Association is a hub for this educational charity: content and resources included many hundreds of articles, book reviews and podcasts, as well as member login access to 8.4 million digitised Pension Records, archived journals and magazines, including the entire 40+ year archive of the WFA's own journal 'Stand To!' and member magazine 'Bulletin'.