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The following page lists Rolling Stone's 500 Greatest Albums of All Time. It concentrates on the 2023-updated list, on which some new albums were added, while others were up- or downrated, or entirely removed. The "Major contributors" column lists up to three main contributing editors.
Since 2020 Rolling Stone has also produced a weekly podcast called Rolling Stone's 500 Greatest Albums, which, according to magazine, is based on an "updated version of Rolling Stone's 500 Greatest Albums list". [5] The podcast is hosted by Brittany Spanos, a staff writer at the magazine. [6] [7]
Pages in category "Rolling Stone's 500 Greatest Albums of All Time" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes .
Rolling Stone's 500 Greatest Albums of All Time; NME's The 500 Greatest Albums of All Time This page was last edited on 11 ...
Rolling Stone's 500 Greatest Albums of All Time: #408 [48] Pitchfork's Top 200 Albums of the 1980's (2018): #71 [49] Robert Dimery's 1001 Albums You Must Hear Before You Die. [26] Louder Sound's 50 Best Albums from the 1980's: #20 [50] November 3, 1980 [51] In The Flat Field: Bauhaus: Post-punk; gothic rock; 4AD: Regarded as a key prototypical ...
The Blues and the Abstract Truth is an album by American composer and jazz saxophonist Oliver Nelson recorded in February 1961 for the Impulse! label. It remains Nelson's most acclaimed album and features a lineup of notable musicians: Freddie Hubbard, Eric Dolphy (his second-to-last appearance on a Nelson album following a series of collaborations recorded for Prestige), Bill Evans (his only ...
Bill Evans for Lovers: Various sessions and sources Verve: 2004 The Best of Bill Evans: From sessions for the Riverside label, recorded 1956–63 Riverside: 2005 Bill Evans and Orchestra: Brandeis Jazz Festival: Works for piano and orchestra conducted by Gunther Schuller and George Russell with 3 bonus Don Elliott quartet recordings, all ...
The Bill Evans Album is a recording by the jazz pianist Bill Evans, released in 1971 on the Columbia label. It was his first album to feature all compositions written (or co-written), arranged, and performed by him. On the record, Evans plays both an acoustic and a Fender Rhodes electric piano.