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A harmonic partial is any real partial component of a complex tone that matches (or nearly matches) an ideal harmonic. [3] An inharmonic partial is any partial that does not match an ideal harmonic. Inharmonicity is a measure of the deviation of a partial from the closest ideal harmonic, typically measured in cents for each partial. [4]
In the absence of noise enhancement or noise correlation, the PRML sequence detector performs maximum-likelihood sequence estimation. As the operating point moves to higher linear recording densities, optimality declines with linear partial-response (PR) equalization, which enhances noise and renders it correlated.
A cent is a measure of interval size. It is logarithmic in the musical frequency ratios. The octave is divided into 1200 steps, 100 cents for each semitone. Cents are often used to describe how much a just interval deviates from 12 TET. For example, the major third is 400 cents in 12 TET, but the 5th harmonic, 5:4 is 386.314 cents. Thus, the ...
By definition, every interval in a given limit can also be part of a limit of higher order. For instance, a 3-limit unit can also be part of a 5-limit tuning and so on. By sorting the limit columns in the table below, all intervals of a given limit can be brought together (sort backwards by clicking the button twice).
The normal form is the smallest "slice of pie" (shaded) or most compact form, in this case: [0 1 1 1 2 T]. This is a list of set classes, by Forte number. [1] A set class (an abbreviation of pitch-class-set class) in music theory is an ascending collection of pitch classes, transposed to begin at zero.
In music, the minor diatonic semitone is a ratio of 17:16, [2] [3] making it the seventeenth harmonic [1] or partial. This is in contrast to the 5-limit major diatonic semitone of 16/15. Minor diatonic semitone on C Play ⓘ .
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The harmonic seventh interval, also known as the septimal minor seventh, [2] [3] or subminor seventh, [4] [5] [6] is one with an exact 7:4 ratio [7] (about 969 cents). [8] This is somewhat narrower than and is, "particularly sweet", [ 9 ] "sweeter in quality" than an "ordinary" [ 10 ] just minor seventh , which has an intonation ratio of 9:5 ...