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The first woman, who regularly indulges in gluttony, wishes to have the best food in the world, but she ends up cooking and consuming various parts of her body, notably, her labia. The second woman, who is extremely vain and self-conscious, wishes to have the thinnest and most beautiful body in the world. However, noticing hairs and pores all ...
Film Year(s) Description The 3 Worlds of Gulliver: 1960: The US fantasy film is an adaptation of the 18th-century novel Gulliver's Travels, and features a voyage during which Dr. Gulliver is perceived as a giant by the small Lilliputian people, and is later perceived as small by the giant Brobdingnagian people.
The common perception of this ideal is a woman who possesses a slender, feminine physique with a small waist and little body fat. [1] The size that the thin ideal woman should be is decreasing while the rate of female obesity is simultaneously increasing, making this iconic body difficult for women to maintain. [2]
Japanese women film score composers (8 P) D. Japanese women film directors (46 P) P. Japanese women film producers (7 P) S. Japanese women screenwriters (1 C, 24 P)
Female Yakuza Tale: Inquisition and Torture (1973) Fires on the Plain (Nobi) (1959) The Flavor of Green Tea over Rice (Ochazuke no aji) (1952) Floating Weeds (Ukikusa) (1959) Flying Phantom Ship (1969) The Funeral (Ososhiki) (1984)
The "pink film", or "eroduction" (erotic production) as it was first called, [6] is a cinematic genre without an exact equivalent in the West. [5] Though called pornography, the terms "erotica", "soft porn" and "sexploitation" have been suggested as more appropriate, although none of these precisely matches the pink film genre.
Wife to be Sacrificed (生贄夫人, Ikenie Fujin) (1974) is a Japanese soft-core pornographic S&M film starring Naomi Tani and directed by Masaru Konuma. The film was produced by Nikkatsu studios as part of their Roman Porno series.
As Kuchisake-onna leaves with Mika, Mika knocks her mask off, revealing the woman's disfigured face. At school, Noboru shows Kyōko a thirty-year-old photograph of a woman who looks like Kuchisake-onna. Noboru hears the voice again and traces it to a house, and he and Kyōko save a boy from Kuchisake-onna, whom Kyōko seemingly kills with a knife.