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Meanwhile, Romeo, a young Montague, reveals he is in love with Lord Capulet's niece, Rosaline. Romeo's cousin Benvolio urges him to forget her, but Romeo rebuffs him. That night, Romeo sneaks into a party at the Capulets' with Benvolio and his friend Mercutio, hoping to see Rosaline. Instead, Romeo sees Juliet and falls in love with her. Juliet ...
Rockin' Romeo & Juliet (2006); musical film in which Romeo is a modern rock star wooing Juliet with his singing ability; directed by David McGaw (USA) Romeo and Juliet: A Monkey's Tale (2006); fictional-documentary in which two monkeys from rival cliques fall in love; directed by Karina Holden (Australia) Guca!
Romeo and Juliet (Italian: Romeo e Giulietta) is a 1968 period romantic tragedy film, based on the play of the same name by William Shakespeare. Directed and co-written by Franco Zeffirelli , the film stars Leonard Whiting as Romeo and Olivia Hussey as Juliet .
Rosaline (/ ˈ r ɒ z əl aɪ n /) [1] [2] is a fictional character mentioned in William Shakespeare's tragedy Romeo and Juliet.She is the niece of Lord Capulet.Although an unseen character, her role is important: Romeo's unrequited love for Rosaline leads him to try to catch a glimpse of her at a gathering hosted by the Capulet family, during which he first spots her cousin, Juliet.
Hussey became a movie star at age 15 when she was cast as the most infamous doomed lover in 1968’s "Romeo and Juliet." She nabbed the sought-after role of Juliet in Franco Zeffirelli’s film ...
Olivia Hussey Eisley, best known for her lead performances in 1968's Romeo and Juliet and 1974's Black Christmas, has died at age 73. Hussey's family announced her death on Friday on social media ...
In 1968 the part of Benvolio was played by Bruce Robinson in Romeo and Juliet. In the 1996 version of Romeo and Juliet, the actor who played Benvolio was Dash Mihok. In the 2001 French musical Roméo et Juliette: de la Haine à l'Amour, the role was originated by Grégori Baquet. In the 2013 version of Romeo and Juliet, the actor who played ...
Having the audacity to harness stabs and slashes of Prokofiev’s celebrated ballet score for “Romeo and Juliet” for a production of Shakespeare’s play suggests remarkable confidence on the ...