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Terry Michael Barrett (1945 - October 29, 2023 [1]) was an American art critic, and Professor Emeritus at Ohio State University.His many books, anthology chapters, and articles about contemporary art, art criticism, aesthetics, and the teaching of these, have had a significant impact on the field.
In the philosophy of art, an interpretation is an explanation of the meaning of a work of art. [a] An aesthetic interpretation expresses a particular emotional or experiential understanding most often used in reference to a poem or piece of literature, and may also apply to a work of visual art or performance. [1]
Art criticism includes a descriptive aspect, [3] where the work of art is sufficiently translated into words so as to allow a case to be made. [2] [3] [7] [11] The evaluation of a work of art that follows the description (or is interspersed with it) depends as much on the artist's output as on the experience of the critic.
An art critic is a person who is specialized in analyzing, interpreting, and evaluating art. Their written critiques or reviews contribute to art criticism and they are published in newspapers, magazines, books, exhibition brochures, and catalogues and on websites.
The treatise contained an analysis of all the techniques and painting theories known at the time, in this surpassing medieval works such as The book of Art by Cennino Cennini (1390). De pictura also includes the first description of linear geometric perspective around 1416; Alberti credited the discovery to Brunelleschi , and dedicated the 1435 ...
World of Art (formerly known as The World of Art Library) is a long established series of pocket-sized art books from the British publisher Thames & Hudson, comprising over 300 titles as of 2021. [3] The books are typically around 200 pages, but heavily illustrated.
This is sometimes called a triple edge painting. [7] [8] A split double painting has two different illustrations, one on either side of the book's center. When the book is laid open in the center, one illustration is seen on the edges of the first half of the book, and another illustration is on the edge of the second half of the book. [9]
The painting of Cupid on the wall behind the girl resembles a painting from Vermeer's own collection of art, a painting by Cesar van Everdingen. [2] The restoration provides an opportunity to reconsider the painting. The painting of Cupid on the wall may suggest that the girl is reading a love letter.