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Early development of modern Hindi theatre can be traced to the work of Bharatendu Harishchandra (1850–1885), a theatre actor, director, manager, and playwright based in Varanasi (Banaras), who is also the father of modern Hindi literature as in his short life of 35 years, he edited two magazines, Kavi vachan Sudha and Harishchandra chandrika, wrote numerous volumes of verse in Braj bhasa ...
Kuber Nath Rai is one of the writers who dedicated themselves entirely to the form of essay-writing. [24] His collections of essays Gandha Madan, Priya neel-kanti, Ras Aakhetak, Vishad Yog, Nishad Bansuri, Parna mukut have enormously enriched the form of essay. [24] A scholar of Indian culture and western literature, he was proud of Indian ...
After that, kavi sammelan became a large part of Indian culture. The Mushaira of Urdu poetry and the Hindi Kavi Sammelan are now often combined, and 'Mushaira-cum-Kavi Sammelan' is organised throughout the Hindustani speaking world. [1] In India, the period from Indian independence in 1947 to the early 1980s was a golden phase for kavi sammelan.
Harishankar Parsai (22 August 1922 – 10 August 1995) was an Indian writer who wrote in Hindi. He was a noted satirist and humorist of modern Hindi literature and is known for his simple and direct style. [1] He wrote vyangya (satire), which described human values and nature. They reflected his critical thinking and humorous way of describing ...
Yashpal Singh (3 December 1903 – 26 December 1976) was a Hindi-language writer, political commentator, a socialist and an essayist. He wrote in a range of genres, including essays, novels and short stories, as well as a play, two travel books and an autobiography.
Hindustani, the lingua franca of Northern India and Pakistan, has two standardised registers: Hindi and Urdu.Grammatical differences between the two standards are minor but each uses its own script: Hindi uses Devanagari while Urdu uses an extended form of the Perso-Arabic script, typically in the Nastaʿlīq style.
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