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Unlike the Sisyphus usually presented in mythology, Camus considers that "one must imagine Sisyphus happy". Sisyphus finds happiness in the accomplishment of the task he undertakes and not in the meaning of this task. Sisyphus teaches the higher fidelity that negates the gods and raises rocks. He too concludes that all is well.
Sisyphus was the founder and first king of Ephyra (supposedly the original name of Corinth). [8] According to Pausanias, Sisyphus, as king, founded the Isthmian games in honour of Melicertes, whose dead body was found washed up along the Isthmus of Corinth, having been carried to shore by a dolphin. [13]
In The Myth of Sisyphus, despite his absurd destiny, Sisyphus finds a form of liberation in his incessant work: “one must imagine Sisyphus happy”. With the cycle of love and the “midday thought” (French: la pensée de midi ), the philosophy of the absurd is completed by a principle of measurement and pleasure, close to Epicureanism .
The Sisyphus (/ ˈ s ɪ s ɪ f ə s /; Greek: Σίσυφος) is purported to be one of the dialogues of Plato. The dialogue is extant and was included in the Stephanus edition published in Geneva in 1578. It is now generally acknowledged to be spurious. The work probably dates from the fourth century BCE, and the author was presumably a pupil ...
Two of Camus's works were published posthumously. The first entitled La mort heureuse (A Happy Death) (1971) is a novel that was written between 1936 and 1938. It features a character named Patrice Mersault, comparable to The Stranger ' s Meursault. There is scholarly debate about the relationship between the two books.
It is suggested that Sisyphus symbolizes the vain struggle of man in the pursuit of knowledge. [21] The Myth of Sisyphus saw Sisyphus as personifying the absurdity of human life, but concludes "one must imagine Sisyphus happy" as "The struggle itself towards the heights is enough to fill a man's heart." Another philosophical interpretation ...
A pervasive theme in existentialist philosophy, however, is to persist through encounters with the absurd, as seen in Albert Camus's philosophical essay The Myth of Sisyphus (1942): "One must imagine Sisyphus happy".
Camus made his debut as a writer in 1937, but his breakthrough came with the novel L’étranger ("The Stranger"), published in 1942. It concerns the absurdity of life, a theme he returns to in other books, including his philosophical work Le mythe de Sisyphe ("The Myth of Sisyphus", 1942).