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In the consumer markets, pashmina shawls have been redefined as a shawl/wrap with cashmere and cashmere/silk, notwithstanding the actual meaning of pashmina. Some shawls marketed as pashmina shawls contain (sheep) wool, [ 21 ] while other unscrupulous companies marketed artificial fabrics such as viscose and others as "pashmina" with deceptive ...
The scarves were usually dyed into color schemes that closely matched the service uniforms, and bore symbols that appealed to Western consumers (e.g., skull and cross bones, Gadsden snakes, and Spartan helmets). Black and coyote-brown keffiyeh are still commonly worn by military veterans without any implied support for Arab nationalism or ...
White tie, also called full evening dress or a dress suit, is the most formal evening Western dress code. [1] For men, it consists of a black tail coat (alternatively referred to as a dress coat, usually by tailors) worn over a white dress shirt with a starched or piqué bib, white piqué waistcoat and the white bow tie worn around a standing wing collar.
The needle-worked Amlikar or Amli, made from Pashmina wool is a shawl embroidered almost all over with the needle on a plain woven ground. The colours most commonly seen on pashmina shawls are yellow, white, black, blue, green, purple, crimson and scarlet.
Cashmere derives its name from the home of the Kashmir shawl, and is often incorrectly equated with pashmina. Pashmina and cashmere both come from the Changthangi goat, but pashmina is made from a fine subset of cashmere [2] ranging from 12–16 microns, [8] whereas generic cashmere ranges from 12–21 microns. [8]
The technique was popularised in the 1920s – typically used on evening gowns and shawls – and revived in the 1980s and '90s, notably by Jasper Conran on theatrical costumes and then evening wear and by Georgina von Etzdorf on scarves. [2] [5] [6] [7]
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