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Michel Foucault's essay "A Preface to Transgression" (1963) provides an important methodological origin for the concept of transgression in literature. The essay uses Story of the Eye by Georges Bataille as an example of transgressive fiction.
Crime, legal transgression, usually created by a violation of social or economic boundary In civil law jurisdictions, a transgression or a contravention is a smaller breach of law, similar to summary offence in common law jurisdictions; Social transgression, violating a social norm
Transgressive may mean: . Transgressive art, a name given to art forms that violate perceived boundaries; Transgressive fiction, a modern style in literature; Transgressive Records, a United Kingdom-based independent record label
The term "sacrilege" originates from the Latin sacer, meaning sacred, and legere, meaning to steal.In Roman times, it referred to the plundering of temples and graves. By the time of Cicero, sacrilege had adopted a more expansive meaning, including verbal offences against religion and the undignified treatment of sacred objects.
In religious context, sin is a transgression against divine law or a law of the deities. [1] Each culture has its own interpretation of what it means to commit a sin. While sins are generally considered actions, any thought, word, or act considered immoral, selfish, shameful, harmful, or alienating might be termed "sinful". [2]
Deception is a major relational transgression that often leads to feelings of betrayal and distrust. Deception violates relational rules and is considered to be a negative violation of expectations. Most people expect friends, relational partners, and even strangers to be truthful most of the time.
An antonym is one of a pair of words with opposite meanings. Each word in the pair is the antithesis of the other. A word may have more than one antonym. There are three categories of antonyms identified by the nature of the relationship between the opposed meanings.
The term transgressive was first used in this sense by American filmmaker Nick Zedd and his Cinema of Transgression in 1985. [1] Zedd used it to describe his legacy with underground film-makers like Paul Morrissey, John Waters, and Kenneth Anger, and the relationship they shared with Zedd and his New York City peers in the early 1980s. [2]