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A Technicolor print from the dye transfer era will retain its original colors virtually unchanged for decades with proper storage, whereas prints printed on Eastmancolor stocks produced prior to 1983 may suffer color fading after exposure to ultraviolet light and hot, humid conditions as a result of less stable photochemical dyes.
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
Technicolor also dye-transfer printed Eastmancolor and Ansco negative movies where the negative had been processed by another laboratory with the credit Print by Technicolor. Technicolor publicity dated 1954 added the facility to produce dye transfer release prints from Agfacolor , Gevacolor and Ferraniacolor color negative stock, popular in ...
Technicolor's two previous systems were an additive color process and a physically problematic subtractive color process, the latter requiring two prints cemented together back-to-back. Process 3 used an imbibition process pioneered by the Handschiegl color process , which had been created in 1916 for Cecil B. DeMille 's feature film Joan the ...
Nevertheless, as it appears in an original two-color Technicolor print, the sequence might best be described as a "Rhapsody in Turquoise". Later prints made from the original two-component negative, which had survived, make the blues look truer and more saturated than they appeared to audiences in 1930.
The original process, known as ECN-1, was used from the mid to late-1950s to the early to mid-1970s, and involved development at approximately 25 °C for around 7–9 minutes. Later research enabled faster development and more environmentally friendly film and process (and thus quicker photo lab turnaround time ).
The U.S. film experts, in cooperation with the Czech National Film Archive, restored the color print of The Mysterious Island. [3] After the complete Technicolor print was discovered in Prague in December 2013, a new print of the film premiered at the 33rd Pordenone Silent Film Festival in October 2014. [4]
The original Technicolor sequences were found in a Dutch print (a copy of the International Sound Version) which had Dutch titles inserted in several places. This print was restored by the UCLA Film and Television Archive, and released on DVD from the Warner Archive Collection, along with its Overture and Exit Music. Unfortunately, sections of ...