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The group released three studio albums The Dogs in 1990, Beware of The Dogs in 1991 and K-9 Bass in 1992. The group officially disbanded in 1996 when Labrant Dennis was arrested for the murder of his ex-girlfriend, Timwanika Lumpkins, and her friend Marlin Barnes, a linebacker for the University of Miami football team.
The Dogs is the self-titled debut album by American hip hop group The Dogs. It was released on March 28, 1990, through JR Records with distribution via Joey Boy Records. Engineering and mixing sessions took place at HN Studios in Miami. Production was handled by Calvin Mills II with Disco Rick serving as co-producer.
All these chords contain the tonic of the song, D—even as a tritone, as is the case in the fourth chord. [4] [5] [6] The song fades in with an acoustic guitar in D tuning strumming the chords with a lively, syncopated rhythm, with a droning Farfisa organ playing chord tones (A, B♭, A, and A♭, respectively). After the first sixteen-bar ...
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Dogs is the debut studio album by American singer-songwriter Nina Nastasia. It was originally released in 2000 by the New York City-based independent label Socialist Records, and re-released in 2004 by Touch and Go Records .
Uncut magazine describes the song as "mockney music-hall." [6] [3] Uncut praised its whimsy, imaginative arrangement and "tumultuous rhythm."[6] Who biographer John Atkins praises its "soaring melodies, interesting chord changes and irresistible hook lines" and particularly praises "one really tremendous descending melody" at the 2:28 mark. [3]
[citation needed] The song also was voted number 12 on the Australian annual music poll Triple J Hottest 100 in 1993. According to Nielsen Music's year-end report for 2019, "Plush" was the fourth most-played song of the decade on mainstream rock radio with 133,000 spins. All of the songs in the top 10 were from the 1990s. [6]
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.