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"Walkin on Water" was written by Stray Kids' in-house production team 3Racha, and co-composed with Restart and Chae Gang-hae. [6] Described as a "challenge", 3Racha revealed on behind-the-scenes video Intro "Hop" that it is the first time that the song contains only one genre in the whole song, which is "old-school hip-hop genre with boom bap beats", departing from mixing diverse sounds of ...
The lyrics implied frustrations of the people who doubt the band's identities when they themselves have not found it yet. [2] Afterwards, they released the other I Am series EPs ( I Am Who & I Am You ) in 2018, Clé series EPs ( Clé 1: Miroh , Clé 2: Yellow Wood , & Clé: Levanter ) in 2019, their first studio album Go Live and the reissue ...
He has contributed to various B-side tracks, including four sub-unit songs "Wow" in 2020, "Taste" [31] and "Muddy Water" in 2022, [32] and "Red Lights" in 2021. He was also the primary songwriter for "DLMLU" from Stray Kids' full-length Japanese album, The Sound , [ 33 ] and " Cover Me " from their EP Rock-Star .
Stray Kids' debut Japanese-language studio album, titled The Sound, was released on February 22, 2023; this release was preceded by the Japanese version of "Case 143" and the title track. [127] It debuted at number one the Oricon Albums Chart for the first time with 378,000 copies, [ 128 ] and the Recording Industry Association of Japan (RIAJ ...
"Trouble No More" is an upbeat blues song first recorded by Muddy Waters in 1955. It is a variation on "Someday Baby Blues", recorded by Sleepy John Estes in 1935. [ 1 ] The Allman Brothers Band recorded both studio and live versions of the song in the late 1960s and 1970s.
The following is a comprehensive list of South Korean boy band Stray Kids' live performances. The group has performed on four concert tours, one one-off concert, one promotional tour, one showcase tour, seven showcases, five fanmeetings, as well as numerous music festivals and live performances.
The song was one of Waters' last charting singles and appears on several of his compilation albums, including the 1965 album The Real Folk Blues. He later recorded "Forty Days and Forty Nights" for the 1969 Fathers and Sons album and the Authorized Bootleg: Live at the Fillmore Auditorium November 4–6, 1966 album released in 2009.
English trumpeter and broadcaster Humphrey Lyttelton reviewed the song (and "Hello Little Girl") in 1955 in New Musical Express, saying Waters is "a genuine contemporary blues singer". [7] In a 1969 interview, Muddy Waters himself said it was his favorite song out of all the songs he had recorded. [ 8 ]