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Ulrich Luz notes that the idea of the gates of heaven was in existence at the time of Jesus, and this verse may be a reference to that notion. [3] The metaphor of God providing two ways, one good and one evil, was a common one in the Jewish literature of the period. It appears in the Old Testament in Deuteronomy 30:19 and Jeremiah 21:8.
The Orthodox concept of life in heaven is described in one of the prayers for the dead: "…a place of light, a place of green pasture, a place of repose, from whence all sickness, sorrow and sighing are fled away". [10] In the Eastern Orthodox and Oriental Orthodox, only God has the final say on who enters heaven.
The Blessed at the gate to heaven with St. Peter (1467–1471) by Hans Memling. Pearly gates is an informal name for the gateway to Heaven according to some Christian denominations. It is inspired by the description of the New Jerusalem in Revelation 21:21: "The twelve gates were twelve pearls, each gate made of a single pearl." [1]
This river may haunt you but it's actually one of the most sacred places in the world
A folk-art allegorical map based on Matthew 7:13–14 Bible Gateway by the woodcutter Georgin François in 1825. The Hebrew phrase לא־תעזב נפשׁי לשׁאול ("you will not abandon my soul to Sheol") in Psalm 16:10 is quoted in the Koine Greek New Testament, Acts 2:27 as οὐκ ἐγκαταλείψεις τὴν ψυχήν μου εἰς ᾅδου ("you will not abandon my soul ...
The kingdom of God in heaven is, well, a kingdom. In other words, theologically—at least in the Abrahamic tradition—the best form of government is a kind of despotism. Oh, it’s the best sort ...
"Heaven Is a Place on Earth" is a single by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Rick Nowels and Ellen Shipley, the song was released as the lead single from the album on September 14, 1987, and it reached number one on the US Billboard Hot 100 on December 5, 1987, becoming Carlisle's only US chart-topper.
Auguste Rodin was commissioned to make a pair of bronze doors to symbolize the gates of hell. He received the commission on August 20, 1880, for a new art museum in Paris, to exhibit at the 1889 Exposition Universelle, which ultimately did not open; however in 1900, some of them were part of his first solo exhibition in Paris.