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The New York Dolls were the catalyst for New York's early punk rock scene, which included Television, Talking Heads, Patti Smith, the Ramones, Blondie and Richard Hell and the Voidoids, [40] in addition to being one of the most influential bands to the development of British punk rock, particularly the Sex Pistols, the Clash and the Damned.
Red Patent Leather is a live album by the American rock and roll group New York Dolls, released in 1984. It was recorded in New York a decade earlier, in March 1975, just a month before the group broke up while on tour in Florida. [3]
The New York Dolls were in the Mercer's scene, appearing on the bill at a New Year's Eve 1972 gig with Ruby and the Rednecks. [10] They released two albums, the eponymous New York Dolls (1973) and Too Much Too Soon (1974). [8] The bulk of the material was written by Johansen and guitarist Johnny Thunders. The Dolls were sometimes well received ...
The Dolls put out two studio albums, 1973's New York Dolls and 1974's Too Much Too Soon. The Dolls influenced several bands that came soon after with the emerging Punk scene such as the Sex Pistols, The Clash, The Damned, and Generation X; and were a precursor to 80's Glam metal bands such as Mötley Crüe, Cinderella, and Poison. [2]
This is the first remastered release of New York Dolls recordings; 24-bit remasters of the complete studio albums were released in 2006 in a limited edition in Japan. It features every Dolls original from their first two albums, New York Dolls [2] and Too Much Too Soon, [3] along with four additional tracks.
New York Dolls is the debut studio album by the American rock band New York Dolls, released on July 27, 1973, by Mercury Records.An influential precursor to the 1970s punk rock movement, the eponymous album has been acclaimed as one of the best debut records in rock music and one of the greatest rock albums ever.
New York Doll is a documentary based on the life of former New York Dolls member Arthur Kane. It was nominated for both a Satellite Award and a Grand Jury Prize at the Sundance Film Festival , where it premiered in 2005.
Pitchfork journalist Stuart Berman observed a less provocative style from the New York Dolls, writing that they sounded too humbled and restrained. [10] Greg Kot of the Chicago Tribune said the band's new members lacked "personality", [18] while NME magazine dismissed the new line-up as "an above-average pub-rock band". [8]