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The framework for J. R. R. Tolkien's conception of his Elves, and many points of detail in his portrayal of them, is thought by Haukur Þorgeirsson to have come from the survey of folklore and early modern scholarship about elves (álfar) in Icelandic tradition in the introduction to Íslenzkar þjóðsögur og æfintýri ('Icelandic legends and fairy tales').
This was later spelled Quenya (High-elven); it and Sindarin (Grey-elven) are the most complete of Tolkien's constructed languages. Elves are also credited with creating the Tengwar (by Fëanor) and Cirth (Daeron) scripts. [4] Tolkien's Elves are immortal, and remain unwearied with age, but can be killed in battle. Spirits of dead Elves go to ...
The prose style of J. R. R. Tolkien's Middle-earth books, especially The Lord of the Rings, is remarkably varied.Commentators have noted that Tolkien selected linguistic registers to suit different peoples, such as simple and modern for Hobbits and more archaic for Dwarves, Elves, and the Rohirrim.
By 1915, when Tolkien was writing his first elven poems, the words elf, fairy and gnome had many divergent and contradictory associations. Tolkien was gently warned against the term 'fairy', probably for its growing association with homosexuality. [5] Tolkien eventually chose the term elf over fairy.
The first stanza of Tolkien's Quenya poem "Namárië", written in his Tengwar script. The Elvish languages of Middle-earth, constructed by J. R. R. Tolkien, include Quenya and Sindarin. These were the various languages spoken by the Elves of Middle-earth as they developed as a society throughout the Ages. In his pursuit for realism and in his ...
Arda began as a symmetrical flat disc, and was repeatedly transformed through cataclysmic interventions by the Valar and by the creator, Eru Ilúvatar.. Tolkien's stories chronicle the struggle to control the world (called Arda) and the continent of Middle-earth between, on one side, the angelic Valar, the Elves and their allies among Men; and, on the other, the demonic Melkor or Morgoth (a ...
Celtic influences on Middle-earth:Tolkien's Elves owe something to the Irish Tuatha Dé Danann; [1] their sanctuary of Rivendell recalls Tír na nÓg; [2] the Undying Lands echo Immrama tales; [3] [4] their Sindarin language uses some aspects of Welsh language; [5] [6] and Maedhros and Celebrimbor reflect aspects of Nuada Airgetlám.
J. R. R. Tolkien built a process of decline and fall in Middle-earth into both The Silmarillion and The Lord of the Rings.. The pattern is expressed in several ways, including the splintering of the light provided by the Creator, Eru Iluvatar, into progressively smaller parts; the fragmentation of languages and peoples, especially the Elves, who are split into many groups; the successive falls ...