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A digital on-screen graphic, digitally originated graphic (DOG, bug, [1] network bug, or screenbug) is a watermark-like station logo that most television broadcasters overlay over a portion of the screen area of their programs to identify the channel. They are thus a form of permanent visual station identification, increasing brand recognition ...
Used Scanimate to create the forcefield in the Carousel sequence. Futureworld: First use of digital 3-D computer graphics for animated hand and face. Used 2-D digital compositing to materialize characters over a background. [17] Hobart Street Scene: First use of a 3-D hidden-line removal movie depicting an architectural street scene.
The final animated series featuring Archie Comic properties produced by Filmation. Tarzan and the Super 7. Tarzan, Lord of the Jungle. The New Adventures of Batman. The Freedom Force. Manta and Moray. Superstretch and Microwoman. Web Woman.
Abominable and the Invisible City. Ace Ventura: Pet Detective (TV series) The Adventures of Jimmy Neutron, Boy Genius. The Adventures of Puss in Boots. Aladdin (animated TV series) Alice's Wonderland Bakery. Alienators: Evolution Continues. All Dogs Go to Heaven: The Series. All Hail King Julien.
v. t. e. Animation in the United States in the television era was a period in the history of American animation that gradually started in the late 1950s with the decline of theatrical animated shorts and popularization of television animation, reached its peak during the 1970s, and ended around the late 1980s.
Watermark. A watermark is an identifying image or pattern in paper that appears as various shades of lightness/darkness when viewed by transmitted light (or when viewed by reflected light, atop a dark background), caused by thickness or density variations in the paper. [1] Watermarks have been used on postage stamps, currency, and other ...
Mickey and Minnie Mouse in Plane Crazy, one of the earliest golden-age shorts.. The golden age of American animation was a period in the history of U.S. animation that began with the popularization of sound synchronized cartoons in 1928 and gradually ended in the 1960s when theatrical animated shorts started to lose popularity to the newer medium of television.
Meiser loved the Holmes stories, helped sell the show to the NBC radio network and found a sponsor. She wrote for the 1930–1936 radio series The Adventures of Sherlock Holmes, both adapting Doyle's classic tales and writing new adventures in the Holmesian style. The first show she adapted was "The Adventure of the Speckled Band."