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The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art , [ 1 ] it had been reproduced over half a billion times worldwide by the end of the 20th century. [ 2 ]
King of Kings (also referred to as Touchdown Jesus) was a 62-foot (19 m) tall statue of Jesus on the east side of Interstate 75 at the Solid Rock Church, a 4000+ member Christian megachurch near Monroe, Ohio, in the United States. It was destroyed by a lightning strike and subsequent fire on June 14, 2010.
Gulliver also bought 100,000 of Edwards' shares in Manchester United for £250,000 and was given a seat on the club's board of directors (although fellow director and former manager Matt Busby abstained from the vote to give Gulliver a seat, saying he did not know who Gulliver was). [6] Gulliver later became the club's vice-president.
The hair on his head were white like wool, and his eyes were like blazing fire. His feet were like burnt bronze glowing in a furnace (...) His face was like the sun shining in all its brilliance" (Revelation 1:12–16, NIV). Use in art of the Revelation description of Jesus has generally been restricted to illustrations of the book itself, and ...
The discovery came after researchers evaluated drawings found in various archaeological sites in Israel. Thus the dark skin, eyes and traditional Jewish beard with short, curly hair.
Today, on stylistic grounds, he is credited with this 'Head of Christ', which must have formed part of a sculptural group of the Holy Sepulchre, presumably from the church of the convent of Sant Agustí Vell in Barcelona. The break in the neck suggests it belonged to a full-length recumbent Christ, like the one kept at Sant Feliu in Girona and ...
Actor believes religious preacher would have been the victim of cancel culture
Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 35.