Search results
Results From The WOW.Com Content Network
Nora Prentiss is a 1947 American film noir directed by Vincent Sherman and starring Ann Sheridan, Kent Smith, Bruce Bennett, and Robert Alda. [3] It was produced and distributed by Warner Bros. The cinematography is by James Wong Howe and the music was composed by Franz Waxman. The film's sets were designed by the art director Anton Grot.
The book is a first-person narrative in which Mildred Lathbury records the humdrum details of her everyday life in post-war London near the start of the 1950s. Perpetually self-deprecating, but with the sharpest wit, Mildred is a clergyman's daughter who is now just over thirty and lives in "a shabby part…very much the 'wrong' side of Victoria Station".
Scholarly analysis of the novel has underscored its feminist themes, its exploration of class differences, and its contribution to World War I literature. By focusing on the oft-ignored experiences of women during times of war, '''Not So Quiet''' presents a compelling counter-narrative to the more romanticized or hero-centric war stories.
Cork O’Connor, whose wife is a full-blooded Ojibwe and who is half Native American himself, retired from his job as Aurora, Minnesota, police chief a while back. For starters, the daughter of an ...
Smith herself dismissed her second novel as a failed experiment, but its attempt to parody popular genre fiction to explore profound political issues now seems to anticipate post-modern fiction. If anti-Semitism was one of the key themes of Novel on Yellow Paper, Over the Frontier is concerned with militarism. In particular, she asks how the ...
Whether you're looking for something to post in honor of Women's History Month or simply need some motivation to keep fighting the good fight, read these powerful quotes from female founders ...
The Woman Who Did (1895) is a novel by Grant Allen about a young, self-assured middle-class woman who defies convention as a matter of principle and who is fully prepared to suffer the consequences of her actions. It was first published in London by John Lane in a series intended to promote the ideal of the "New Woman".
It received favourable (William Thomas Stead, who praised the idea of gender role reversal) and less favourable reviews; the authors of the latter group, which included Christian critics, dismissed the novel as a piece of transgressional fiction violating law—advocating or at least justifying infanticide—, convention, and contemporary ...