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In the "kifal", the tuning keys are wedged, the "otia" (ears), which are T-shaped (usually) and the strings are tied to them, which, after crossing the whole instrument, end up in the tailpiece ("palikar"), a wooden component in the shape of an elongated inverted triangle, located at the bottom, on which the lower ends of the strings are attached.
Kamancheh. The kamancheh (also kamānche or kamāncha) (Persian: کمانچه, Azerbaijani: kamança, Armenian: քամանչա, Kurdish: کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, [1] Azerbaijani, [2] Armenian, [3] Kurdish, [4] Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument.
The Kemençe of the Black Sea (Turkish: Karadeniz kemençesi), also known as Pontic kemenche or Pontic lyra (Greek: Ποντιακή λύρα), is a box-shaped lute (321.322 in the Hornbostel-Sachs system), while the classical kemençe (Turkish: Klasik kemençe or Armudî kemençe, Greek: Πολίτικη Λύρα) is a bowl-shaped lute (321.321).
Mi-composé is a tuning commonly used for rhythm guitar in African popular music forms such as soukous and makossa. [61] It is similar to the standard guitar tuning, except that the d string is raised an entire octave. This is accomplished by replacing the d string with an e' string and tuning it to d'.
Guitar Gumbo: Savory Licks, Tips & Quips for Serious Players by Greg Koch, June 2012; Slide Guitar In Standard Tuning by Greg Koch, March 2016; Hal Leonard Guitar Method - Book 1, Deluxe Beginner Edition: Includes Audio & Video on Discs and Online Plus Guitar Chord Poster by Will Schmid and Greg Koch, January 2016
Pythagorean tuning was a system of just intonation that tuned every note in a scale from a progression of pure perfect fifths. This was quite suitable for much of the harmonic practice until then ( See: Quartal harmony ), but in the Renaissance, musicians wished to make much more use of Tertian harmony .