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Vietnam's ethnic mosaic results from the peopling process in which various peoples came and settled the territory, leading to the modern state of Vietnam by many stages, often separated by thousands of years over a duration of tens of thousands of years. Vietnam's entire history, thus, is an embroidery of polyethnicity. [15]
The Ministry of Natural Resources and Environment (MONRE, Vietnamese: Bộ Tài nguyên và Môi trường) is a government ministry in Vietnam responsible for: land, water resources; mineral resources, geology; environment; hydrometeorology; climate change; surveying and mapping; management of the islands and the sea.
Nature and wildness have been important subjects in various eras of world history. An early tradition of landscape art began in China during the Tang Dynasty (618–907). The tradition of representing nature as it is became one of the aims of Chinese painting and was a significant influence in Asian art.
Sơn Tinh – Thủy Tinh (The Mountain God vs.The Lord of the Waters) is a Vietnamese myth.It explains the practice of tidal irrigation and devastating floods in Vietnam as a result of monsoon—a seasonal prevailing wind in the region of South and Southeast Asia, blowing from the southwest between May and September and bringing rain (the wet monsoon), or from the northeast between October ...
Most cities in Vietnam, regardless of the political orientation of the government, have named major streets after him. [39] Tây Sơn hào kiệt, a Vietnamese film, was based on his story. [citation needed] On 6 February 2018 the Vietnam People's Navy commissioned the Quang Trung a Gepard-class frigate currently in service with the 4th ...
The Lạc Việt was known for casting large Heger Type I bronze drums, cultivating paddy rice, and constructing dikes. The Lạc Việt who owned the Bronze Age Đông Sơn culture, which centered at the Red River Delta (in Northern Vietnam), [3] are hypothesized to be the ancestors of the modern Kinh Vietnamese. [4]
Hòn non bộ (chữ Nôm: 𡉕𡽫部) is the Vietnamese art of making miniature landscapes, imitating the scenery of the islands, mountains and surrounding environment as found in nature. It is a particular local development of the Chinese art of penzai , as was bonsai in Japan .
Thiền uyển tập anh has a follow-up to the story: In the Early Lê dynasty, Buddhist monk Khuông Việt travelled to Vệ Linh mountain and wanted to build a house there. That night, he dreamt of a deity who wore gold armor, carried a golden spear in his left hand and a tower in his right hand, followed by more than ten people.