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The Rainmaker is a 1956 American western romance film directed by Joseph Anthony and adapted by N. Richard Nash from his 1954 play The Rainmaker.The film tells the story of a middle-aged woman, suffering from unrequited love for the local town sheriff; however, she falls for a con man who comes to town with the promise that he can make it rain.
The Rainmaker is a play written by N. Richard Nash in the early 1950s. The play opened on October 28, 1954, at the Cort Theatre in New York City , and ran for 125 performances. It was directed by Joseph Anthony and produced by Ethel Linder Reiner .
Henry Earl Holliman was born on September 11, 1928, in Delhi, Louisiana. [1] His biological father William A. Frost was a farmer. [2] His mother Mary Smith [3] was living in poverty with several other children [4] and gave him up for adoption at birth, while her other children were sent to orphanages until she could take them all back, which she did. [1]
In 1956’s “The Rainmaker,” he won the role of Jim Curry over Elvis Presley, who had also been up for the part. He was raised in Oil City, La., and enlisted in the U.S. Navy at the age of 15 ...
USA Network has announced the first casting for its upcoming TV adaptation of The Rainmaker: John Slattery (Mad Men) has been tapped as a series regular in the drama based on the bestselling John ...
Charles Hatfield and the San Diego flood is credited as the inspiration for the instrumental musical piece "The Rainmaker" from the album Innovators released in 1993 by Sam Cordon and Kurt Bestor. Hatfield's story inspired the 1956 Burt Lancaster film The Rainmaker, based on the play of the same name. [12] Hollywood invited Hatfield to the ...
The Rainmaker has found the actor to fill Matt Damon’s shoes. Milo Callaghan, who guest-starred on Doctor Who‘s very recent “Dot & Bubble” episode, will play the lead role in USA Network ...
The Los Angeles Times called the book "an indictment of the legal system from law school to the jury’s verdict." [2] Entertainment Weekly wrote that "if The Rainmaker’s outcome is a bit predictable, Grisham’s vivid minor characters and near-Dickensian zeal for mocking pomposity and privilege are apt to endear him to his many readers all over again."