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The recurring theme of elusive love is often explored in ghazals such as "Wo tou khushbu hai" (He is fragrance), where the poet describes the essence of love as fleeting and intangible, like a scent. For example, in "Khushbu bhi us k tarz-e-pazeerai per gai" (Fragrance also goes by his style of welcome), the poet suggests that even fragrance is ...
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
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Pakistan’s tradition of poetry includes Urdu poetry, English poetry, Sindhi poetry, Pashto poetry, Punjabi poetry, Saraiki poetry, Baluchi poetry, and Kashmiri poetry. Sufi poetry has a strong tradition in Pakistan and the poetry of popular Sufi poets is often recited and sung.
Nawab Mirza Khan Daagh Dehlvi (Urdu: نواب مرزا خان داغ دہلوی, 25 May 1831 – 17 March 1905) was a poet known for his Urdu ghazals. He belonged to the old Delhi school of Urdu poetry. [2] [3] [4] He wrote romantic and sensuous poems and ghazals in simple and chaste Urdu, minimising usage of Persian words.
He received an MA in Urdu from the University of Karachi and began working as a radio and television producer until 1967. [1] In 1974, his first book of poetry Chand Chehra Sitara Ankhhen was published. [1] He was senior producer at Karachi station Pakistan Television Corporation until he was forced to resign in 1978 following an edict against ...
Subh-e-Azadi (lit.'Dawn of Independence' or 'Morning of freedom' [4]), also spelled Subh-e-Aazadi or written as Subh e Azadi, is an Urdu language poem by a Pakistani poet, Faiz Ahmed Faiz written in 1947. [5] [6] The poem is often noted for its prose style, marxist perspectives
The Urdu ghazal is a literary form of the ghazal-poetry unique to the Indian subcontinent, written in the Urdu standard of the Hindostani language. It is commonly asserted that the ghazal spread to South Asia from the influence of Sufi mystics in the Delhi Sultanate .