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In 1825, Schubert composed a selection of seven songs from Scott's The Lady of the Lake.They were published in 1826 as his Opus 52. The songs are not intended for a single performer: the three songs of Ellen are for a woman's voice with piano accompaniment, while the songs for Norman and Malcolm Graeme were intended for the baritone Johann Michael Vogl.
[1] 15 sonatas — numbering of the piano sonatas according to Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe – Serie 10: Sonaten für Pianoforte (Leipzig: Breitkopf & Härtel, 1888), the first publication that claimed to print the complete set of Schubert's piano sonatas. The Deutsch catalogue was yet to be created, so there ...
Jungfrau mild'] for voice and piano, Ave Maria or Hymne an die Jungfrau (1825) No. 7 – D 843 , Song "Lied des gefangenen Jägers" ['Mein Roß so müd'] for voice and piano (1825) Op. posth. 124 – D 857 , Two songs Zwei Szenen aus dem Schauspiel "Lacrimas" for voice and piano (1825)
The original only opens with the greeting "Ave Maria", which also recurs only in the refrain. [79] In 1825, Schubert also wrote the Piano Sonata in A minor (D 845, first published as op. 42), and began the Symphony in C major (Great C major, D. 944), which was completed the following year. [80]
Ave Maria: Alleluja et Ave Maria d'Arcadelt: piano 1862 S.183 The Alleluja was based on themes from Liszt's own Cantico del sol di San Francesco d'Assisi, S.4. [3] The Ave Maria was based on Dietsch's Ave Maria, a setting for unaccompanied voices (1842?) loosely based on Jacques Arcadelt's three-part madrigal Nous voyons que les hommes. [1 ...
No. 6 D 839, Song "Ellens Gesang III (Hymne an die Jungfrau)" ['Ave Maria! Jungfrau mild'] for voice and piano, Ave Maria or Hymne an die Jungfrau (1825) No. 7 D 843 , Song "Lied des gefangenen Jägers" ['Mein Roß so müd'] for voice and piano (1825)
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