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"Mambo No. 5" is an instrumental mambo and jazz dance song originally composed and recorded by Cuban musician Dámaso Pérez Prado in 1949 and released the next year. [1] German singer Lou Bega sampled the original for a new song released under the same name on his 1999 debut album, A Little Bit of Mambo .
Pérez Prado is the composer of such famous pieces as "Mambo No. 5" (later a UK chart-topper for both Lou Bega in 1999 and animated character Bob the Builder in 2001) and "Mambo No. 8". The mambo craze peaked in the US in 1955, when Pérez Prado hit the American charts at number one with a cha-cha-chá version of " Cherry Pink (and Apple ...
All music and lyrics by Lou Bega, Zippy Davids, Frank Lio and Donald Fact, except: Track 1 – "Mambo No. 5 (A Little Bit Of...)": music by Pérez Prado, lyrics by Lou Bega and Zippy Davids; Track 4 – "Can I Tico Tico You": music by Zequinha Abreu, lyrics by Lou Bega, Zippy Davids, Frank Lio and Donald Fact. Vocals: Lou Bega (main performer)
Lou Bega’s “Mambo No. 5,” a 1999 smash that topped the pop charts in most global territories, is one of the most love-it-or-hate-it songs of all time — Stephen King’s wife definitely ...
The album includes Prado's Mambo No. 5. In December 1950, Bob Goddard in the St. Louis Globe-Democrat described the album as "scorching" and concluded: "It's utterly impossible to sit still while any of this is going on." [1] In a 2024 ranking of the 600 greatest Latin American albums, Pérez Prado Plays Mucho Mambo for Dancing was ranked No ...
Bega sang the theme song for the Disney Channel animated series Brandy & Mr. Whiskers. Bega also recorded and starred in a music video of a Disney version of "Mambo No. 5" that featured Disney-themed lyrics. In the video game Tropico, Bega is one of the characters that the player can choose as their dictatorial persona.
Mucho Mambo) Sway" reached number 2 in the UK in August, kept off the number-one spot by Lou Bega's version of "Mambo No. 5", [4] also based on a Prado song. Outside the UK, the song was also a top 10 hit in Ireland, [5] Sweden and Norway, as well as reaching number 15 in Finland and number 28 in Australia. [6]
Like Arsenio's version, their rendition is also "a guaguancó based on a two-measure montuno pattern that is unchanging throughout the entire piece". [ 8 ] In the 1990s, Sierra Maestra recorded another descarga rendition of the song for their album Tíbiri tábara , which included other "familiar songs of the Cuban repertoire".