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This is a list of musical instruments, including percussion, wind, stringed, and electronic instruments. Percussion instruments (idiophones, membranophones, struck chordophones, blown percussion instruments)
Brass instrument parts and accessories (12 P) D. Drum kit components (1 C, 39 P) P. Percussion instrument beaters (12 P) S. String instrument construction (3 C, 41 P) W.
It is a carved hollow wooden instrument with a large slit. In its traditional form, the muyu , the shape is somewhat bulbous like a bell, but modern instruments are often rectangular in shape. [ 3 ] They are generally played in sets of four or more to give a variety of pitches, in which they are also known as "tone blocks". [ 4 ]
String instruments: harp, violins, violas, cellos, basses, frequently abbreviated to 'str', 'strs' or similar. If any soloists or a choir are called for, their parts are usually printed between the percussion/keyboards and the strings in the score. The basic order of the instruments, as seen above, is common to all of the shorthand systems.
This is a wide-ranging, inclusive list of percussion instruments. It includes: Instruments classified by Hornbostel–Sachs as struck or friction idiophones, struck or friction membranophones or struck chordophones. Where an instrument meets this definition but is often or traditionally excluded from the term percussion this is noted.
A specific toque requires the open string sound with closed gourd. Musicians use whatever sound they may get out of the string. It is not often considered bad practice to strike other parts of the instrument. As with most aspects of playing the berimbau, the names of the techniques differ from teacher to teacher.
The riq (also spelled riqq or rik) is a type of tambourine used as a traditional instrument in Arabic music. It is an important instrument in both folk and classical music throughout the Arabic-speaking world. The instruments are widely known as shakers. A traditional Central Asian musician from the 1860s or 1870s, holding up his dayereh.
The ugals play a combination of gangsa parts and cues, melodic solos, and the underlying melody with flourishes. The first, front ugal cues and plays elements of the polos interlocking gangsa part (the part that plays more often on the beat), and if there is a second ugal, it plays elements of the sangsih part (gangsa notes more often off the ...