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"Undead" is a song by American rap rock band Hollywood Undead. It is the first track and first single from their debut full-length album, Swan Songs . It was released as a single on August 26, 2008, a week before Swan Songs was released.
"Undead" is a song by Japanese duo Yoasobi. It was released as a single on July 1, 2024, by Echoes and Sony Music Entertainment Japan, serving as the theme [A] for the Off & Monster Season of the Monogatari anime series (2024). Written by Ayase, the song was based on Monogatari writer Nisio Isin's short stories Nadeko Past and Shinobu Future.
Hollywood Undead released the lead single, "Already Dead", on October 25, 2019. A music video was released about a week later on October 31, 2019. [ 60 ] The second single, "Time Bomb" was released on November 15, as well as the announcement that the album would be titled New Empire, Vol. 1 . [ 61 ]
Florino concluded that, "Hollywood Undead's genius lies—in that dangerous space between unforgettable and unsettling," pointing this out in the track, "Bullet", for it being the, "sunniest and catchiest tune on American Tragedy," while still telling, "a potent and poignant tale of longing for suicide." The other track Florino pointed out for ...
Undead (Tad Morose album), or the title song, 2000; Undead (Ten Years After album), 1968 "Undead" (Hollywood Undead song), 2008 "Undead" (Yoasobi song), 2024 "Undead", a song by the Haunted from The Haunted, 1998 "Undead", a song by Sadus from Illusions, 1988; The Undead, an American horror punk band, or a 1995 album by the band
"Been to Hell" is a song by American rap rock band Hollywood Undead. It is the second single from their second full-length album, American Tragedy , and the first track on that album. It is the band's eighth overall single in their discography.
Prior to the release of the single, a lyric video was published on Hollywood Undead's official YouTube channel on 29 October, a day before the single was released onto iTunes. The video, as well as providing the lyrics of the song, has various clip scenes of advertisements and urban landscapes, from skyscrapers to rubble.
The album was called "the best thing SFU have recorded since Maximum Violence," in an 8/10 review by Decibel magazine.Terrorizer magazine wrote that, "Ugly riffs slip and slide amidst the primordial ooze summoned forth by Chris' guttural incantations, and the drums flail in the background like some tentacle monstrosity from beyond; this is truly an unearthly noise and glorious in its heaving ...