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The Rolling Stones' "Wild Horses" features a 12-string guitar played by Keith Richards and a guitar with Nashville tuning played by Mick Taylor. "Jumpin' Jack Flash" featured two acoustic guitars, one Nashville strung, overdriven through a cassette recorder. [3] James Williamson used Nashville tuning on "Gimme Danger" [4] on Raw Power by the ...
The Gibson J-45 is a guitar manufactured by the Gibson Guitar Corporation. Generally regarded as Gibson's most famous and widely used acoustic guitar model, it is considered the workhorse of guitars. The Jumbo guitar is signified by the "J" and not to be confused with C.F. Martin & Company's Dreadnought body style.
A modern style (14-fret) C.F. Martin & Company dreadnought The dreadnought is a type of acoustic guitar developed by American guitar manufacturer C.F. Martin & Company. [1] The style, since copied by other guitar manufacturers, has become one of the most common for acoustic guitars.
The guitar is a transposing instrument; that is, music for guitars is notated one octave higher than the true pitch.This is to reduce the need for ledger lines in music written for the instrument, and thus simplify the reading of notes when playing the guitar.
The design is distinct from a semi-acoustic guitar, which is an electric guitar with the addition of sound chambers within the guitar body. Usually, acoustic-electric guitars are fitted with piezoelectric pickups, requiring a preamplifier incorporated into the guitar body to amplify the signal before it travels to the main guitar amplifier .
Among alternative tunings for the guitar, an open G tuning is an open tuning that features the G-major chord; its open notes are selected from the notes of a G-major chord, such as the G-major triad (G,B,D). For example, a popular open-G tuning is D–G–D–G–B–D (low to high).
Steel-string acoustic guitars are commonly constructed in several body types, varying in size, depth, and proportion. In general, the guitar's soundbox can be thought of as composed of two mating chambers: the upper bouts (a bout being the rounded corner of an instrument body) on the neck end of the body, and lower bouts (on the bridge end).